San Francisco · Moscone Center

San Francisco Trade Show Booth Rentals

The most expensive floor in the country. And a price that doesn’t move.

One fixed number covering design, build, graphics, freight, installation and dismantle. What you approve is what you pay — and what the show bills you directly is calculated before you commit, not discovered during move-in.

Booth Finder

Filters the booths below — every one shows its San Francisco price.

30×60Largest Moscone build
65,000Sq ft facility
4–5 wksFastest build, no rush fee
1Project manager, end to end
Why a fixed price matters more here

San Francisco is where a moving quote does the most damage

We are a trade show exhibit rental company built around one promise: the number you approve is the number you pay. Here is why that matters more in San Francisco than anywhere else we work.

Exhibiting at Moscone costs more per square foot than almost anywhere in the United States. Labour rates are among the highest in the country, material handling is expensive, and the halls run dense, tightly scheduled shows. Every one of those is a place where an estimate quietly becomes a bigger number later.

01

One number, and it holds

Design, fabrication, graphics, furniture, lighting, freight, installation, dismantle and project management in a single fixed price. No change orders, no post-show reconciliation.

02

Proven before it ships

Your booth stands fully assembled and lit at our facility, and you approve photographs of the actual build. Problems get found on our floor, where they cost an afternoon — not in a Moscone move-in slot at San Francisco labour rates.

03

Show costs, known up front

Space, electrical, drayage and rigging are billed to you by Moscone whoever you hire. We calculate them for your exact booth before you commit and file every order at advance rates — so the total is a number, not a range.

04

The paperwork is ours

Union labour coordination, COI, EAC, electrical, rigging submissions and freight windows, filed at advance rates. In a city this expensive, missing an advance deadline is a genuinely costly mistake.

San Francisco pricing

What a Moscone booth actually costs

Fixed all-in prices for custom exhibits, covering everything we control. What the show bills you directly sits alongside it, so the total is known before you sign rather than discovered afterwards.

Fixed pricing · San Francisco · all-inclusive
FootprintAreaFixed priceTypical use
10×10100 sq ft$15,000 – $17,500Inline. One demo point, lead capture.
10×20200 sq ft$22,500 – $27,500Inline. Demo plus seated conversation.
20×20400 sq ft$35,000 – $40,000Island. Two or three zones, four-sided.
20×30600 sq ft$37,500 – $44,000Island. Adds a semi-private meeting space.
20×40800 sq ft$44,000 – $56,000Island. Multiple engagement zones.
20×501,000 sq ft$50,000 – $62,500Island. Long-run product wall.
30×30900 sq ft$50,000 – $62,500Island. Enclosed meeting room, theatre seating.
30×401,200 sq ft$69,000 – $81,000Island. Flagship, double-deck capable.
In the fixed price Design & build
  • 3D design with unlimited revisions until you approve
  • Custom fabrication at our own facility
  • Full graphics production and mounting
  • Flooring, furniture and lighting
  • AV hardware — monitors and mounts
Logistics & service
  • Pre-build and photo approval before it ships
  • Freight to and from Moscone
  • Union labour coordination and on-site supervision
  • Show services paperwork, COI and EAC filing
  • Dedicated project manager, first call to dismantle
Billed by the show, not by us

Every venue bills exhibitors directly for these and no exhibit rental company can absorb them. In San Francisco they’re a larger share of your total than in most cities, which is exactly why we calculate them before you commit and file every order at advance rates.

  • Booth space
  • Electrical drops and floor distribution
  • Material handling (drayage)
  • Rigging, if you’re hanging a sign
  • Daily booth cleaning
  • Internet
The second invoice

The quote isn’t the price. Except here.

Ask an event manager what went wrong at their last Moscone show and you’ll usually hear about the invoice that arrived afterwards. Not the show’s charges — those are known, expected, and billed to you directly whoever you hire. The exhibit house’s invoice. Labour hours over estimate, revisions rebilled as change orders, graphics reprints, supervision time nobody flagged.

Here is the same 20×20 island at Moscone, priced both ways. Both columns cover only what your exhibit house bills you.

Typical exhibit house
Quoted before you signed $35,000
Install & dismantle labour over estimate + $4,200
Design revisions billed as change orders + $2,400
Graphics reprints and late artwork + $1,600
Onsite supervision hours + $1,200
Actually paid $44,400
27% above the quote
Pure Exhibits
Quoted before you signed $38,000
Install & dismantle labour Included
Design revisions Unlimited
Graphics production Included
Onsite supervision Included
Actually paid $38,000
Exactly the quote

Outside both columns, and identical either way: Moscone bills you directly for booth space, electrical, material handling (drayage), rigging, cleaning and internet. No exhibit house can absorb those and none should claim to. What we do is calculate them for your budget before you commit and file every order at advance rather than floor rates — which in San Francisco is where most of the saving actually is.

We quote higher and cost less. That is the whole argument, and it is why we publish the number rather than asking you to call for it. The figure you approve is the figure you pay — and the figure Moscone sends you is one we worked out with you months earlier.

Available now

San Francisco booths, with San Francisco prices

Every exhibition booth below is priced for Moscone. Use the finder at the top of the page to narrow by size and budget — the results update here. Each one is a rental, available as a custom exhibit built to your brand.

Moscone Center

Three halls, three different jobs

North, South and West each behave differently on move-in, and a booth planned for one is not automatically approved for another. Ceiling heights, rigging points, dock access and freight routing all vary. As a booth builder and exhibit rental company working this venue regularly, we send layouts for approval early — a rejected drawing three weeks out is a redesign; three days out it’s a problem.

Moscone South

RSA Conference · Dreamforce · large tech expos

The largest contiguous exhibit floor and where most big island booths land. Floor plans run dense and aisle traffic is heavy, which makes sightlines matter more than square footage — a tall structure in the wrong orientation blocks your neighbours and draws complaints before the first morning is out.

Moscone North

Co-located expos · conference tracks · RSA overflow

Frequently runs alongside South for the same show, which splits exhibitors across two buildings and two move-in schedules. Your target time matters as much as the build — miss it and you’re waiting behind everyone who didn’t.

Moscone West

Developer conferences · keynote-led events

Three stacked levels with freight moving between them, which makes install sequencing tighter than the square footage suggests. Crates go up in an order that has to be planned. Plan for the elevator, not just the floor.

What we handle at Moscone
  • Layout submission and venue approval, filed early
  • Union labour scheduling and on-site supervision
  • Freight routing and target-time booking
  • Electrical, rigging and material handling at advance rates
  • COI and exhibitor-appointed-contractor paperwork
  • Dismantle, pack and outbound freight
Worth knowing before you plan

San Francisco is a union labour market and exhibitors cannot self-install. Given local rates, labour is the largest variable cost of exhibiting at Moscone — larger, for many booths, than the structure itself. It’s inside our fixed price, and we file orders at advance rather than floor rates.

We also work Fort Mason and the Union Square hotel venues for city-wide events and satellite activations.

The two that define the calendar

RSA and Dreamforce are different problems

San Francisco’s two biggest exhibiting events demand almost opposite things from a booth. Planning for one as though it were the other is the most common expensive mistake we see.

RSA CONFERENCE · APRIL/MAY · MOSCONE NORTH & SOUTH

A dense floor of technical buyers

The toughest expo floor in the city. Thousands of security vendors, most of them experienced exhibitors, packed tight across two halls. Attendees are technical, time-poor and comparing you against the booth twenty feet away.

What works: distance-readable positioning, demo stations that support a real ten-minute conversation, and enough enclosed space to take a serious meeting off the aisle. What fails: booths designed to look impressive in a render and impossible to talk in.

We’ve built here. Teramind’s 30×60 island and Radware’s 20×20, both at RSA — below.

DREAMFORCE · SEPT/OCT · MOSCONE + CITY-WIDE

A city-wide event with an expo inside it

Dreamforce takes over San Francisco, not just Moscone. Hotel space, freight windows, labour availability and street access all tighten simultaneously, and the expo floor competes with activations happening across the city.

That changes the planning, not just the design. Freight has to land in its window because there is no slack to recover, and labour needs booking earlier than any other show on the calendar. Six months is not conservative here.

Design implication: partner and ISV booths win on being findable and legible from the aisle, not on scale. Most Dreamforce exhibitors are better served spending on graphics and lighting than on footprint.

In their words

What event managers say after the show

★★★★★
“They never just build the booth and disappear — I always know I have someone on call and ready to jump in when the unexpected inevitably happens. That level of responsiveness makes a huge difference in high-pressure event environments.”
Amanda Horner · Three years of Adobe Summit booths · Google Review
★★★★★
“I’ve worked with Pure Exhibits for almost a year now, and have had such a great experience! They are our go-to for trade shows, and create memorable booths that represent our brand well. The team is incredibly responsive and reliable.”
Lexi von Schottenstein · Google Review
★★★★★
“It’s always a pleasure to work with Utsav. The process is simple, straightforward, and high quality. I have worked with them for 3 years now and will continue!”
Carlos Bautista · Three-year client · Google Review
★★★★★
“Their team is incredibly flexible throughout the design process and truly collaborative in bringing ideas to life. I highly recommend Pure Exhibits to anyone looking for a reliable, thoughtful, and experienced exhibit partner.”
Amanda Horner · Google Review
San Francisco show calendar

When to start, by show

The binding constraint is the show’s own deadlines, not our production time. Advance electrical and rigging submissions close weeks before move-in, and in San Francisco the gap between advance and floor rates is wide enough to matter to your budget.

Moscone and city-wide · verify months annually
ShowTypical monthVenueStart planning
JPMorgan Healthcare ConferenceJanuaryUnion Square hotels5 months
SPIE Photonics WestJanuary / FebruaryMoscone4 months
Game Developers ConferenceMarchMoscone4 months
RSA ConferenceApril / MayMoscone North & South6 months
IEEE Microwave Symposium (IMS)JuneMoscone4 months
Design Automation Conference (DAC)JuneMoscone4 months
APTA Rail ConferenceJune / JulyMoscone3 months
IBWSS Wine & SpiritsJulyMoscone3 months
ENDO · Endocrine SocietyJulyMoscone4 months
SPIE Optics & PhotonicsAugustMoscone4 months
World Transplant CongressAugustMoscone4 months
Electrify ExpoAugustMoscone3 months
ASTRO · Radiation OncologySeptemberMoscone4 months
DreamforceSeptember / OctoberMoscone + city-wide6 months
PV CellTech USAOctoberMoscone3 months
Working backwards

Your real deadline isn’t the show date

It’s the advance-order cutoff, and at Moscone it lands roughly eight weeks earlier. Miss it and nothing stops — electrical, rigging and material handling simply reprice at floor rates, which in San Francisco is the most expensive way to buy anything. This is the sequence read backwards from your show date, which is how it actually needs planning.

−6 MONTHS Brief, concepts and the fixed price locked. Full design freedom.
−4 MONTHS Layout submitted to Moscone for hall approval.
−10 WEEKS Graphics finalised and sent to production.
−8 WEEKS Advance electrical and rigging close. Everything after this is billed at floor rates.
−4 WEEKS Freight window and marshalling target time booked.
−2 WEEKS Booth built, lit and photographed for your approval.
SHOW WEEK Union crew installs in your move-in slot. You walk in at handover.

Booking later than −6 months? Most of this compresses without penalty — we have delivered complete booths into San Francisco in four to five weeks. The one line that never moves is the advance-order cutoff, because it belongs to the show rather than to us.

Rush and last-minute

Four to five weeks, no rush surcharge

When a vendor falls through a month before RSA, the constraint is production capacity and freight — both of which we own. We deliver complete pre-built, photo-verified booths from 10×10 through 20×40 into San Francisco in four to five weeks, at the same fixed price as a six-month lead time.

  • Four to five weeks from approval to show floor
  • Pre-built and photo-verified before it leaves our facility
  • 10×10 through 20×40 available on rush
  • No rush surcharge, ever — the fixed price is the fixed price
Questions exhibitors actually ask

San Francisco booth rental FAQs

How much does it cost to rent a trade show booth in San Francisco?
A 10×10 runs $15,000–$17,500 and a 30×40 $69,000–$81,000, fixed and all-inclusive — design, fabrication, graphics, furniture, freight, labour coordination and project management. Separately, the show bills you directly for space, electrical, drayage, rigging and cleaning. Those are a larger share of your total in San Francisco than in most cities, which is why we calculate them for your budget before you commit.
Why is exhibiting at Moscone more expensive than other cities?
Labour rates in San Francisco are among the highest in the country, and material handling and show services are priced accordingly. Our booth price doesn’t change city to city — what changes is what the show bills you directly, and we set that out before you sign rather than after.
Is shipping and freight included in the price?
Yes — freight to and from the venue is inside the fixed price, so it never appears as a line item. And because your booth is fully assembled, lit and photo-approved at our facility before it ships, what arrives at Moscone has already been built once — which is why move-in problems are rare and why the quote doesn’t move.
Can I install the booth myself to save on labour?
No. San Francisco is a union labour market and exhibitors cannot self-install. Given local rates this is the single largest variable cost at Moscone — for many booths, larger than the structure itself. It’s included in our fixed price, and we file labour orders at advance rather than floor rates.
How far in advance should I book for RSA or Dreamforce?
Six months for either. Both are city-wide events where hotel, freight and labour availability tighten early, and Dreamforce in particular leaves no slack in the move-in schedule to recover a late delivery. For smaller Moscone shows — IMS, DAC, SPIE, ASTRO — three to four months is comfortable. If your timeline is shorter, we can often still deliver in four to five weeks.
Which Moscone hall will my booth be in, and does it matter?
The show assigns it, and yes it matters. South has the largest contiguous floor and takes most big islands. North frequently runs alongside it for the same show, splitting move-in across two buildings. West is three stacked levels with freight moving between them, which tightens install sequencing. We design to the hall once your space is confirmed, and submit layouts for approval early.
Have you built at Moscone before?
Yes — including a 30×60 island for Teramind at RSA, our largest San Francisco build, and a 20×20 for Radware at the same show. Both are shown above.
Will a rental look custom, or will it look reused?
Every booth is fabricated for your brand — custom graphics, layout, lighting and finishes on a modular structure underneath. The RSA builds above are rentals. Before yours ships, it stands fully assembled and lit at our facility and you approve photographs of the actual booth, not a render.
What happens if something goes wrong during move-in?
Your project manager and our install supervisor are on site through move-in and reachable across show days. Because everything was assembled and checked before shipping, the problems that usually surface at this stage — missing hardware, graphics that don’t fit, panels that won’t seat — have already been found and fixed on our floor.
Do you handle the show paperwork?
Yes — COI, EAC, electrical orders, rigging submissions, freight windows and target-time booking. Your project manager maps every exhibitor-manual deadline to our calendar and files at advance rates. Nothing lands on your desk three days before it’s due.
Fixed pricing · Moscone Center · Full-service support

Rent a San Francisco booth with zero surprises.

Tell us the show, the footprint and what the booth needs to do. You’ll have design concepts and one fixed San Francisco price back within 24 hours — including what Moscone will bill you directly, so nothing lands later.

Or call us directly — (800) 379-8451