Practitioners who sell polish for a living can spot a booth that skipped the finish work.
Fixed-price Aesthetic Show exhibits — design, fabrication, graphics, freight, installation and dismantle in one number that doesn’t move. Pre-built, lit and photo-approved before it ships, so what stands in front of dermatology, plastic surgery and med spa practitioners already looks finished, because it already is.
Filters the booths below — every one shows its Las Vegas price.
The Aesthetic Show draws dermatology, plastic surgery, cosmetic surgery and med spa professionals — an audience whose entire business is delivering polish, and who read a booth’s finish the way they read a treatment result: closely. The work below is what we build for aesthetics and beauty brands: structures designed around the product and the presentation, with every project moving through one team from first rendering to dismantle.
Fulcrum GT
Full-height LED build for a floor where visual polish is the entry price.
WillowTree
Enclosed consultation rooms for private conversations about a treatment or device.
Teramind
Demo zones built for a live product or device walkthrough.
Radware
Hands-on stations for a floor that wants a demo, not just a photo.
Microsoft
Modular island scaled for a brand exhibiting across multiple aesthetics events.
Appdome
Technical demo theatre sized for steady practitioner traffic.
SpyCloud
Interactive stations arranged for one-on-one practitioner conversations.
IMAX
Large-format island built for a premium, photograph-ready presence.
The Aesthetic Show runs inside Wynn Las Vegas — a luxury resort property, not a stand-alone convention center, which means your booth sits next to some of the most polished physical spaces in the city. The most expensive Aesthetic Show mistake isn’t a bad booth; it’s a booth whose finish doesn’t hold up against the room it’s standing in.
A resort property runs freight, dock access and labour through the property itself, on a different rhythm than a stand-alone convention hall. We confirm the specific move-in process for the venue before anything is designed or booked, so your team isn’t guessing on-site.
This audience sells outcomes people can see, and they evaluate a booth the same way — visually, up close, and unforgivingly. Seams, mismatched lighting temperature and graphics that don’t sit flush read as a lack of attention to detail, which is the one thing this floor doesn’t tolerate.
A July show lands during the industry’s busiest vacation stretch — both for the practices deciding on exhibit budgets and for production shops staffing their floors. Decisions that would take a week in spring can drift for a month in June and July. Locking your design early is what keeps your build off the back of that queue.
Booth space, electrical, drayage, rigging and cleaning are billed to every exhibitor directly by the show — no exhibit house can absorb them and none should claim to. What we do is calculate them for your exact booth before you commit, and file every order at advance rather than floor rates.
Trade show invoices grow the same way everywhere: labour hours over estimate, revisions rebilled as change orders, graphics reprints, supervision time nobody flagged. Our model is the opposite — the number you approve is the number you pay, contractually. Design revisions are unlimited until you approve. The quote and the final invoice are the same document.
Design, fabrication, graphics, furniture, lighting, freight, installation, dismantle and project management in a single fixed price.
Your booth stands fully assembled and lit at our 65,000 sq ft facility, and you approve photographs of the actual build — not a render.
Space, electrical, drayage and rigging calculated for your exact booth before you commit — so the total is a number, not a range.
COI, EAC, electrical, rigging, freight windows — filed at advance rates, mapped to every exhibitor-manual deadline. Nothing lands on your desk three days before it’s due.
We quote higher and cost less. That’s the whole argument, and it’s why every booth below is published with its price rather than hidden behind a “request a quote” form.
Every booth below is priced for Las Vegas and available as a custom build for your brand — rented, not bought. Use the finder at the top of the page to narrow by size and budget.
12 booths · Las Vegas, Nevada pricing
The advance-order cutoff lands roughly eight weeks before the show — the exact date is in the facts strip at the top of this page, and it updates automatically each edition. For a July show that cutoff sits in mid-May, right before the season’s vacation schedules start thinning out both decision-making and production capacity.
Put these to every exhibit house you’re comparing — including us. They separate the vendors that stand behind a number from the ones whose estimate is an opening position. Our answers are printed here so you can hold us to them.
“They never just build the booth and disappear — I always know I have someone on call and ready to jump in when the unexpected inevitably happens. That level of responsiveness makes a huge difference in high-pressure event environments.”
“I’ve worked with Pure Exhibits for almost a year now, and have had such a great experience! They are our go-to for trade shows, and create memorable booths that represent our brand well. The team is incredibly responsive and reliable.”
“It’s always a pleasure to work with Utsav. The process is simple, straightforward, and high quality. I have worked with them for 3 years now and will continue!”
“Their team is incredibly flexible throughout the design process and truly collaborative in bringing ideas to life. I highly recommend Pure Exhibits to anyone looking for a reliable, thoughtful, and experienced exhibit partner.”
Tell us your footprint, your booth number if you have it, and what the booth needs to do. You’ll have design concepts and one fixed price back within 24 hours — including what the show will bill you directly.
Or call us directly — (800) 379-8451
