Every buyer on this floor sells surfaces for a living. They will notice the finish on your booth before they notice the finish on your product.
Fixed-price TISE exhibits — design, fabrication, graphics, freight, installation and dismantle in one number that doesn’t move. Pre-built, lit and photo-approved before it ships, so the booth that greets nineteen thousand flooring, stone and tile buyers at Mandalay Bay has already stood up once, powered and checked, on our floor.
Filters the booths below — every one shows its Las Vegas price.
TISE draws flooring retailers, tile and stone contractors, installers and designers who handle material all day, every day — people who judge a product by the edge, the grout line and how it takes light, and who can tell a printed backwall from a real finish at twenty feet. The work below is what we build for design-led and consumer brands: structures with real material where the hand lands, lighting that shows colour honestly, and somewhere to sit and write the order, with every project moving through one team from first rendering to dismantle.
Gradial
Minimal island with one oversized brand statement.
Afresh
Live product counter with finishes that feel like a showroom, not a stand.
dunnhumby
Meeting-first island built for a floor where deals get done.
Yuna
Lounge-led island designed for long conversations.
Microsoft
Modular island scaled across a multi-show programme.
IMAX
Large-format island built around a screening experience.
Fulcrum GT
Full-height LED as the structure, not an add-on to it.
WillowTree
Meeting-led layout with enclosed rooms off an open front.
TISE fills the Mandalay Bay Convention Center — a hotel-campus venue at the south end of the Strip, not a standalone hall — with SURFACES, StonExpo and TileExpo running side by side, and the education day opening on the Monday before the hall does. It’s also the same week Design & Construction Week takes over the Las Vegas Convention Center, so the city’s freight, labour and hotels are all under pressure at once. Where your booth lands, how much your samples weigh, and whether your dock time was booked early all decide more than the graphics do. The most expensive TISE mistake isn’t a bad booth; it’s a beautiful one whose slabs are still in the marshalling yard on opening morning.
Mandalay Bay’s exhibit halls sit inside a resort complex, and freight moves through its docks on the general contractor’s marshalling schedule rather than straight off the street. Stone and tile arrive by the crate and the pallet, which makes dock timing and floor loading the first design decisions, not the last. Sightlines are long and the ceilings generous, so height and lighting carry across the hall. We plan the booth to the hall, book the dock target time to your freight, and put a supervisor on the door.
Buyers come to touch product — run a hand over a honed edge, walk on the plank, watch an installer set a tile. A booth that works here behaves like a flagship showroom: real material where the hand lands, display walls that carry the weight of a slab, colour-accurate lighting that doesn’t lie about a finish, and a table where an order can be written. We engineer the structure around the material load and the demonstration, and file the electrical early so nothing is dark on day one.
An early-February show means the advance-order deadlines land in the first days of December, which means the approvals happen in November and the build runs through Christmas — while the Las Vegas freight and labour calendar is already stacked for CES, World of Concrete and SHOT Show in the weeks just before you. The real deadline for a locked design is late November. Miss it and you’re not late, you’re paying floor rates for electrical and material handling while chasing sign-offs through the holidays.
Booth space, electrical, drayage, rigging and cleaning are billed to every exhibitor directly by the show, the venue or the show’s general contractor — no exhibit house can absorb them and none should claim to. What we do is calculate them for your exact booth before you commit, and file every order at advance rather than floor rates.
Trade show invoices have a habit of growing between quote and show: labour hours over estimate, revisions rebilled as change orders, graphics reprints, supervision time nobody flagged. Our model is the opposite — the number you approve is the number you pay, contractually. Design revisions are unlimited until you approve. The quote and the final invoice are the same document.
Design, fabrication, graphics, furniture, lighting, freight, installation, dismantle and project management in a single fixed price.
Your booth stands fully assembled and lit at our 65,000 sq ft facility, and you approve photographs of the actual build — not a render.
Space, electrical, drayage and rigging calculated for your exact booth before you commit — so the total is a number, not a range.
COI, EAC, electrical, network, rigging, freight windows — filed at advance rates, mapped to every exhibitor-manual deadline. Nothing lands on your desk three days before it’s due.
We quote higher and cost less. That’s the whole argument, and it’s why every booth below is published with its price rather than hidden behind a “request a quote” form.
Every booth below is priced for Las Vegas and available as a custom build for your brand — rented, not bought. Use the finder at the top of the page to narrow by size and budget.
12 booths · Las Vegas, Nevada pricing
The advance-order cutoff lands roughly eight weeks before the show — the exact date is in the facts strip at the top of this page, and it updates automatically each edition. For an early-February show that puts the binding constraint in the first days of December, which in practice means before Thanksgiving: the build then runs through the holidays and into a Las Vegas January already booked solid with CES, World of Concrete and SHOT Show.
Put these to every exhibit house you’re comparing — including us. They separate the vendors that stand behind a number from the ones whose estimate is an opening position. Our answers are printed here so you can hold us to them.
“They never just build the booth and disappear — I always know I have someone on call and ready to jump in when the unexpected inevitably happens. That level of responsiveness makes a huge difference in high-pressure event environments.”
“I’ve worked with Pure Exhibits for almost a year now, and have had such a great experience! They are our go-to for trade shows, and create memorable booths that represent our brand well. The team is incredibly responsive and reliable.”
“It’s always a pleasure to work with Utsav. The process is simple, straightforward, and high quality. I have worked with them for 3 years now and will continue!”
“Their team is incredibly flexible throughout the design process and truly collaborative in bringing ideas to life. I highly recommend Pure Exhibits to anyone looking for a reliable, thoughtful, and experienced exhibit partner.”
Tell us your footprint, what material you’re showing and how much it weighs, and how many buyers you need at the table at once. You’ll have design concepts and one fixed price back within 24 hours — including what the show will bill you directly.
Or call us directly — (800) 379-8451
