Where the world’s food chain does business.
Custom exhibition stands for IPPE, IWF and every Georgia World Congress Center show — fabricated in the US and delivered on one fixed USD price signed before work starts. No ocean freight, no carnets, no US entity required. Your delegation lands at the world’s busiest airport; your stand never has to land at all.
Filters the stands below — each shows its Atlanta price.
Atlanta’s marquee floors — food processing, woodworking machinery, industrial equipment — draw technical buyers from every producing region on earth, and they evaluate a stand the way they evaluate a plant. Everything below came out of our own shop: designed, fabricated, printed and wired by one team, then stood up complete and photographed before shipping. What you approve from abroad is what lands on the floor.
Teramind
1,800 sq ft island with interactive demo zones.
Radware
Hands-on learning stations inside a four-sided island.
Appdome
Security demo theatre built for high-volume technical traffic.
SpyCloud
Interactive stations arranged for one-to-one conversation.
Fulcrum GT
Full-height LED as the structure, not an add-on to it.
WillowTree
Meeting-led layout with enclosed rooms off an open front.
IMAX
Large-format island built around a screening experience.
Microsoft
Modular island scaled across a multi-show programme.
Also built for Genea, Dunnhumby, Chili Piper, LHH, Calm and Spekit.
Atlanta’s international exhibitors often face freight decisions in two layers: machinery or samples that genuinely must cross, and a stand that never needed to. Merging them into one shipment doubles the carnet schedule, the crate count and the weight the material handlers bill on — for walls and counters that could be built at the destination.
Split the decision. Whatever must cross travels on its own paperwork; the environment gets built on this side — to your existing design language if you send photos or CAD, in US materials and US electrical code, on one fixed USD number.
No carnets, no brokerage, no duty questions, no crate in clearance while your show opens. Fabricated, trucked and installed inside one country, on one fixed number.
Overseas components routinely fail US floor inspection — voltage, plugs, certification marks. Everything we wire is US code from the first cable.
Existing stand drawings become a Atlanta build: imperial dimensions, your show’s height and rigging rules, forced changes flagged at render stage.
Material handling bills by weight, and a locally built rental reaches the dock at a fraction of an imported stand’s crated mass — a line we forecast before you sign.
Exhibitors arriving from Europe, Asia or Latin America meet a show-floor system here that has no equivalent at home. The full six-term glossary lives on our Las Vegas exhibition stand page; these are the three that bite hardest here.
The venue’s fee for moving freight from dock to stand space, billed by weight. Unavoidable for everyone, forecastable for anyone honest — we price the line against your actual stand before you commit and file at advance rates.
What exhibitors may build themselves on a Georgia floor is set by each show’s regulations, and a custom island is crew-built work under any of them. Our fixed price carries the crews and supervision, so there’s nothing for you to source.
US floor plans sell in feet, and space contracts follow. The pricing table below carries both units — quote your space in whichever your contract uses.
Fixed and all-inclusive for custom exhibition stands in Atlanta, invoiced in USD to your home-country entity — international wire or card, no US bank account or address required. Print these, convert them at today’s rate, and take them into your budget meeting.
| Footprint | Metric | Fixed price (USD) | Typical use |
|---|---|---|---|
| 10×10 | ≈ 3×3 m · 9 m² | $13,000 – $15,500 | Inline. First US market entry, lead capture. |
| 10×20 | ≈ 3×6 m · 18 m² | $20,000 – $24,000 | Inline. Demo plus seated conversation. |
| 20×20 | ≈ 6×6 m · 37 m² | $31,000 – $35,000 | Island. Two or three zones, four-sided. |
| 20×30 | ≈ 6×9 m · 56 m² | $33,000 – $38,500 | Island. Adds a semi-private meeting space. |
| 20×40 | ≈ 6×12 m · 74 m² | $38,500 – $49,500 | Island. Multiple engagement zones. |
| 20×50 | ≈ 6×15 m · 93 m² | $44,000 – $55,000 | Island. Long-run product wall. |
| 30×30 | ≈ 9×9 m · 84 m² | $44,000 – $55,000 | Island. Enclosed meeting room, theatre seating. |
| 30×40 | ≈ 9×12 m · 111 m² | $60,500 – $71,500 | Island. Flagship, double-deck capable. |
The venue invoices these directly to every exhibitor, whichever exhibit company builds the stand — no vendor anywhere can legitimately “include” them. We estimate each line against your actual stand before you commit, then file the orders inside the advance-rate window.
Shipping an owned stand looks free because the stand is paid for. Then the crossing gets priced: crating, two ocean legs, customs, drayage on the loaded weight, and US crews decoding a metric kit against a deadline. A 6×9 m island, both ways:
On the venue’s invoice in both scenarios: space, electrical service, drayage, rigging, cleaning, internet — the show’s own tariffed charges, billed to every exhibitor whoever builds. The difference is the weight the drayage gets billed on, and which side of the comparison forecast those lines before you signed.
Spend the budget on the market, not the water. One number buys crates on a ship; the other buys a finished stand you approved in photographs before it ever left our shop.
Live inventory below, each card carrying its Atlanta price. Choose a footprint or budget in the finder above and the selection re-sorts right here — every structure finishable as a fully custom exhibition stand.
12 booths · Atlanta, Georgia pricing
The Georgia World Congress Center spreads across Buildings A, B and C in downtown Atlanta, each with its own halls and dock service, and its biggest shows span more than one. The building letter on your space contract sets the freight route, the rigging plan and your team’s daily walk — so it’s the first thing we read.
The main campus, where the marquee industrial weeks fill multiple buildings at once. Cross-building shows make dock assignment and freight routing the difference between a smooth install and a lost day.
A downtown wholesale campus with showroom-dense buildings, compressed market weeks and temporary-exhibit rules quite unlike a convention hall — a rhythm our crews already work.
Atlanta’s convention hotels carry a heavy association calendar. Ballroom logistics — freight lifts, padded corridors, overnight installs — are their own discipline, covered by the same fixed price.
For international teams, Atlanta’s practical advantage is arrival itself: nonstop routes from most exporting regions land your delegation direct. The stand needs no such route — it’s built here, and the only long haul in the project is yours.
IPPE — the International Production & Processing Expo — is Atlanta’s defining week: the global poultry, meat and feed industry, from genetics to processing lines, with international pavilions and delegations threaded through every hall. Exhibitors here sell capital equipment and multi-year supply relationships to buyers who flew in specifically to compare them.
The stand brief that follows: engineering-grade display for machinery and process lines, sight lines that let a buyer read the equipment from the aisle, and the meeting layer where the real conversations happen — because processing-line deals aren’t closed standing up.
Floor loading, service access and power draw resolved at render stage and filed with the floor plan — the machine runs all day instead of fighting its enclosure.
Clean lines, disciplined cabling, honest materials — build quality that makes an implicit claim about your engineering, to the audience that reads it that way.
Semi-private rooms with real acoustics for the conversations these floors run on — specifications, qualification timelines, multi-year terms.
Your US calendar runs past Atlanta? Chicago, Orlando, Houston, Las Vegas and fifty more cities run on the same published fixed model — one stand design, one project manager, every city’s price known before your show year starts.
“They never just build the booth and disappear — I always know I have someone on call and ready to jump in when the unexpected inevitably happens. That level of responsiveness makes a huge difference in high-pressure event environments.”
“I’ve worked with Pure Exhibits for almost a year now, and have had such a great experience! They are our go-to for trade shows, and create memorable booths that represent our brand well. The team is incredibly responsive and reliable.”
“It’s always a pleasure to work with Utsav. The process is simple, straightforward, and high quality. I have worked with them for 3 years now and will continue!”
“Their team is incredibly flexible throughout the design process and truly collaborative in bringing ideas to life. I highly recommend Pure Exhibits to anyone looking for a reliable, thoughtful, and experienced exhibit partner.”
Atlanta’s fixed points, with the planning runway each realistically needs from your first email. Name your show and we’ll confirm its Atlanta dates and pull the manual before we quote.
| Show | Typical month | Venue | Start planning |
|---|---|---|---|
| IPPE — International Production & Processing Expo | January | Georgia World Congress Center | 6 months |
| IWF — International Woodworking Fair | August · even years | Georgia World Congress Center | 5 months |
| AmericasMart market weeks | January & July | AmericasMart Atlanta | 4 months |
January IPPE means a December build — holiday schedules sit inside the runway. And IWF runs even years only; confirming your show’s Atlanta year costs nothing and prevents the expensive version of the surprise.
Show dates don’t create cost pressure — order deadlines do, and the decisive one closes roughly eight weeks out, when advance rates on electrical, rigging and drayage expire. For a team planning across an ocean, the whole project exists to arrive at that gate comfortably, with your only travel being the flight to the show itself.
A machine that cleared customs late, a space upgrade in the final release, a stand vendor who went quiet in December — Atlanta emergencies cluster around its January giants. With design, fabrication and print in one building, approval-to-floor runs about four weeks. Same quality gate — built and photographed before shipping — same published price.
Tell us the show and your space size — metres or feet. Within 24 hours: design concepts, one fixed USD figure, and the venue’s own charges forecast beside it. Approve everything from your desk; the only things that cross an ocean are your delegation and whatever equipment truly must.
Or call us directly — (800) 379-8451
